Authentic Sans

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Name Weights Formats Designers
Authentic Sans Regular Desktop: OTF Christina Janus
    Web: WOFF Desmond Wong

Designed by Christina Janus and Desmond Wong, Authentic Sans is a typeface intended for situations where Oriya Sangam MN seems too sophisticated and LiHei Pro too vulgar, or vice versa. It explores the semiotic and aesthetic idiosyncrasies of the anonymous Latin glyphs included with CJK system fonts and aims to subvert the Eurocentric standards of typographic quality and refinement. Authentic Sans is a reflection of the studio praxis: expanding and redefining the visual and cultural boundaries of default systems. Authentic Business.


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Autopia

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Name Weights Formats Designers
Autopia Regular Desktop: TTF Antoine Gelgon
  Italic Web: WOFF  

Autopia is a typeface designed by Antoine Gelgon. The particularity of this font is in the process of developing its shape; the skeleton was generated through the Autotrace Program, which converts bitmap to vector graphics. Calligraphic forms were then drawn with Python code.


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Burtine

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Name Weights Formats Designers
Burtine Regular Desktop: TTF Manfred Klein
    Web: WOFF  

Burtine is a typeface, based on Burte-Fraktur, by Manfred Klein.


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Chrysanthi Unicode

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Name Weights Formats Designers
Chrysanthi Unicode Regular Desktop: TTF Dolgthrasir Mioethdrauci
    Web: WOFF  

Chrysanthi Unicode is a typeface by Dolgthrasir Mioethdrauci.


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Compagnon

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Name Weights Formats Designers
Compagnon Light Desktop: OTF Juliette Duhé
  Light Italic Web: WOFF Léa Pradine
  Roman Source: Glyphs Valentin Papon
  Medium   Sébastien Riollier
  Script   Chloé Lozano

Compagnon is a typeface family composed of five distinctive styles. It finds its inspiration in the online archives of Typewriter Database specimens and combines different periods of the history of typewriter typefaces. Each weight is based on singular references relating to significant periods, aiming to underline the evolution of typewriter characters as they are named.


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Computer Modern Serif

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Name Weights Formats Designers
Computer Modern Serif Regular Desktop: TTF Donald Knuth
  Italic Web: WOFF  

Computer Modern Serif is part of the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with their Metafont program. Computer Modern Serif, or variants of it, remains widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. As implied by the name, Computer Modern is a 'Didone', or modern serif font, a type that emerged in the late 18th century in contrast to the more organic forms that preceded them.


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Deutsche Normalschrift

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Name Weights Formats Designers
Deutsche Normalschrift Regular Desktop: TTF Peter Wiegel
  Bold Web: WOFF  

Deutsche Normalschrift is a typeface by Peter Wiegel. It was the first sole Latin school output after the Nazi decree, which ushered in the end of German Kurrent script and Fraktur in printing. It is the direct forerunner of the Latin source, which for many years was the only school typeface in West Germany and with which Peter Wiegel also learned to write.


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DIN 1451 Breitschrift

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Name Weights Formats Designers
DIN 1451 Breitschrift Regular Desktop: TTF Peter Wiegel
    Web: WOFF  

DIN 1451 Breitschrift is a typeface by Peter Wiegel. In 1936, DIN 1451 was completed; in the final standard, there were three font variants, including the Breitschrift (Extended/Broadsheet). The first two have survived, with only minor changes to date, and they are also used outside of Germany on road signs, with Breitschrift being withdrawn at some point. Breitschrift was used, for a short time, on town signs and signposts with a small number still in use today. Breitschrift was also used on defense technology materials, such as on filters for respirators, etc.


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Drogowskaz

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Name Weights Formats Designers
Drogowskaz Medium Desktop: TTF Emil Wojtacki
    Web: WOFF Marek Sigmund

Drogowskaz (Polish: Roadsign) is a geometric sans-serif typeface used in public signage in Poland. Originally developed in 1975 by Marek Sigmund for the Ministry of Transportation.


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Fifteen Twenty

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Name Weights Formats Designers
Fifteen Twenty UltraLight Desktop: OTF Stewart Russell
  UltraLight Oblique Web: WOFF Commodore 1520
  Light    
  Light Oblique    
  Regular    
  Oblique    
  Demi    
  Demi Oblique    
  Bold    
  Bold Oblique    

Fifteen Twenty is a fixed-width type family derived from character stroke coordinates of the Commodore 1520 pen plotter ROM.


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Gap Sans

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Name Weights Formats Designers
Gap Sans Regular Desktop: TTF Alexandre Liziard
  Bold Web: WOFF Étienne Ozeray
  Black    

Gap Sans is a typeface, based on the Sani Trixie Sans Regular and re-interpreted in the manner of Kawamataby, by Alexandre Liziard and Étienne Ozeray.


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GlyphWorld

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Name Weights Formats Designers
GlyphWorld AirLand Desktop: OTF Leah Maldonado
  AnimalSoul Web: WOFF  
  Desert    
  Flower    
  Glacier    
  Meadow    
  Mountain    
  WasteLand    
  Forest    

GlyphWorld is a typeface of nine landscapes developed by Leah Maldonado. Experiencing a letterform is like entering a world within a world. Letterforms are the visual symbols of our speech; our speech, the auditory representation of our thoughts; our thoughts, the ethereal blocks that build our reality. With our writing systems we speak telepathically, transferring thoughts via little black marks. These black marks are part of our shared reality and are tools for recording and transmitting the past and the future. Letterforms live in a universe nested within our own, affected by what affects their authors. But they are their own creations.


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Harenosora  Mincho

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Name Weights Formats Designers
Harenosora Mincho Regular Desktop: OTF はれのそら明朝
    Web: WOFF  

Harenosora Mincho (はれのそら明朝) perfectly combines the elegant Hiragana and Katakana characters with traditional Mincho characters; the result is both readable and effervescent. Harenosora Mincho was created based on the IPAex Mincho open-source font.


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Infini

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Name Weights Formats Designers
Infini Regular Desktop: OTF Sandrine Nugue
  Italic Web: WOFF  
  Bold    
  Pictos    

The Infini typeface was conceived by Sandrine Nugue and is a decidedly contemporary design. Inspired by epigraphic writing, its various styles — roman, italic and bold — are the result of a fruitful dialogue with the history of typography, whose milestones are retraced by Sébastien Morlighem in a brief history of writing. Infini also admits of a creative and playful use of words, pictograms and ligatures.


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Jeju Myeongjo

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Name Weights Formats Designers
Jeju Myeongjo Regular Desktop: TTF Sandoll
    Web: WOFF  

Jeju Myeongjo (제주 명조) was designed to have a modern look with improved legibility through simplified shapes and a larger optical size. It is a polished serif typeface, made to represent the bright future of Jeju Island.


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Libertinus Mono

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Name Weights Formats Designers
Libertinus Mono Regular Desktop: OTF Philipp Poll
    Web: WOFF  

Designed by Philipp Poll, the Libertinus font family is a fork of Linux Libertine and Linux Biolinum. Libertinus Mono is forked from Linux Libertine Mono.


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Lincoln/MITRE

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Name Weights Formats Designers
Lincoln/MITRE Regular Desktop: OTF David Bennewith
  5 × 7 Web: WOFF  
  7× 9    
  Stencil    

Designed by David Bennewith, Lincoln/MITRE fonts are studies of the typographic system designed by MIT Lincoln Laboratory for use in various displays on the early warning air defense computer network SAGE (1950s–1980s).


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Luxembourg 1910

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Name Weights Formats Designers
Luxembourg 1910 Regular Desktop: TTF Peter Wiegel
    Web: WOFF  

Luxembourg 1910 is a stencil typeface, based on strict Art Nouveau forms, by Peter Wiegel.


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Mammut

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Name Weights Formats Designers
Mammǔt Regular Desktop: TTF Peter Wiegel
    Web: WOFF Ludwig Wagner A.G.

Mammǔt, a half-fat lead-set cursive, is based on a 1932 typeface by the Leipzig type foundry Ludwig Wagner A.G.


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Meta-the-difference-between-the-two-Font

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Name Weights Formats Designers
Meta-the-difference-between-the-two-Font Regular Desktop: TTF Dexter Sinister
  Pen Web: WOFF  

This is Meta-the-difference-between-the-two-Font, a typeface designed by Dexter Sinister, and derived using MetaFont, the now-forty-year-old computer typography system programmed by Donald Knuth in 1979.


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Meta Old French

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Name Weights Formats Designers
Meta Old French Regular Desktop: TTF Luuse Typothèque
    Web: WOFF Allen Hershey

A Fork of Hershey Old French, Meta Old French is the first font created with Plancton.


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Monospace Typewriter

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Name Weights Formats Designers
Monospace Typewriter Regular Desktop: TTF Manfred Klein
    Web: WOFF  

Monospace Typewriter is a typeface by Manfred Klein.


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Montaga

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Name Weights Formats Designers
Montaga Regular Desktop: TTF Alejandra Rodriguez
    Web: WOFF  

Designed by Alejandra Rodriguez, Montaga is an old style font, inspired by Venetian calligraphy, with a strong inclination in the modulation axis, that generates shapes with marked stress.


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Necto Mono

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Name Weights Formats Designers
Necto Mono Regular Desktop: OTF Marco Condello
  Bold Web: WOFF  

Necto Mono is a sans serif font characterized by low contrast, medium apertures and slanted terminals. Necto Mono is an aseptic, neutral font designed for any kind of visual mutiny.


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OCR-PBI

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Name Weights Formats Designers
OCR-PBI Regular Desktop: OTF Antoine Gelgon
  Pen Web: WOFF Lise Brosseau

Designed by Antoine Gelgon and Lise Brosseau, OCR-PBI is a metapost programme font.


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Ortica

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Name Weights Formats Designers
Ortica Regular Desktop: OTF Benedetta Bovani
  Bold Web: WOFF  

Ortica is a calligraphic serif with two contrasting but matching personalities. Ortica Bold takes inspiration from the work of Czech designer Vojtech Preissig: like their Preissig Antiqua it’s made just of straight segments. Ortica Light has an apparently smoother personality: it has curves but it also has sharp and spiky serifs.


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Post Bus

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Name Weights Formats Designers
Post Bus Regular Pro Desktop: TTF Peter Wiegel
  Lichte Pro Web: WOFF  

Post Bus is a typeface by Peter Wiegel with two weights, Regular and Lichte (Pro).


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Preußische

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Name Weights Formats Designers
Preußische Regular Desktop: TTF Peter Wiegel
    Web: WOFF  

Preußische is a typeface by Peter Wiegel. In 1906, the Prussian Railway Administration introduced a uniform font for all of its rolling stock. Not necessarily beautiful, but for any capable letterer to paint standard on the vehicles. Until 1923, the font was used after the pattern drawing IV 44 Issue 3 and then it was revised and pressed into a DIN standard, DIN 1451, which adorns every street sign in Germany today.


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Ptolemy

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Name Weights Formats Designers
Ptolemy Regular Desktop: OTF Alexis Faudot
    Web: WOFF Rafael Ribas

Ptolemy, designed in Chelsea by St John Hornby, Sidney Cockerell and Emery Walker, cut in 18 pt by Edward Prince for Cervantes’ Don Quixote. Published by the Ashendene Press in 1927. The type used until 1935 is a revival of Lienhart Holl’s cut for Ptolemaeus’ Cosmographia printed in 1482 in Ulm. In parallel to historical research, Alexis Faudot and Rafael Ribas, both researchers at ANRT, produced fifteen fonts, including Ptolemy, during a series of workshop sessions conducted between 2015–2018 at art & design schools across France and Germany.


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Ronaldson Gothic

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Name Weights Formats Designers
Ronaldson Gothic Licht Desktop: TTF Peter Wiegel
  Regular Web: WOFF  

June 1892, MacHellar, Smiths & Jordan Company published its 20th specimen, containing 2 writings, named after James Ronaldson, of the first US type foundry, which was cofounded with Archibald Binny on November 1, 1796 in Philadelphia.


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S-Core Dream

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Name Weights Formats Designers
S-Core Dream Thin Desktop: OTF S-Core
  ExtraLight Web: WOFF  
  Light    
  Regular    
  Medium    
  Bold    
  ExtraBold    
  Heavy    
  Black    

S-Core Dream (에스코어 드림) is a typeface by S-Core. It has two meanings: dream and dream.


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Sélavy

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Name Weights Formats Designers
Sélavy Regular Desktop: OTF Nina Stössinger
    Web: WOFF  

Sélavy is a dotted typeface loosely based on the 13 punched-out caps on Marcel Duchamp’s 1934 Green Box (La Mariee Mise A Nu Par Sesames Celibataires Meme).


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Selectric Mono

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Name Weights Formats Designers
Selectric Mono Regular Desktop: OTF Leonard Mabille
    Web: WOFF  

In 1961, IBM Selectric was the first typewriting machine to use a sphere, a “type ball,” instead of individual type bars. First seen on a typescript facsimile of the Japanese philosopher Shûzô Kuki, Selectric combines the rigidity of the monospace system with old style Garalde serifs.


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Sporting Grotesque

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Name Weights Formats Designers
Sporting Grotesque Regular Desktop: OTF Lucas Le Bihan
  Bold Web: WOFF  

Sporting Grotesque is a typeface by Lucas Le Bihan.


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Staatliches

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Name Weights Formats Designers
Staatliches Regular Desktop: TTF Brian LaRossa
    Web: WOFF Erica Carras

Staatliches is a display face with unconventional proportions. The alphabet was designed by Brian LaRossa and Erica Carras, in response to Herbert Bayer’s title lettering on the cover of the first Bauhaus exhibition catalogue, which was published in 1923. It features full sets of capitals, numbers, punctuation, and symbols, in addition to alternate widths, discretionary ligatures, and common Latin accents.


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Stack

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Name Weights Formats Designers
Stack Regular Desktop: TTF Peter Wiegel
    Web: WOFF Les Lawrence

Stack is a digitization by Peter Wiegel of a typeface by Les Lawrence.


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Standard Graf

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Name Weights Formats Designers
Standard Graf Regular Desktop: TTF Peter Wiegel
    Web: WOFF  

Standard Graf is a typeface, based on technical drawing templates, by Peter Wiegel.


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TGL

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Name Weights Formats Designers
TGL Regular Desktop: TTF Peter Wiegel
  Alt Web: WOFF  
  Italic    

TGL is a typeface, based on technical drawing templates, by Peter Wiegel. In the early days of technical drawings in Western Europe, cursive handwriting predominated. After the First World War, it no longer fit with a much more modern approach. Shortly after the first DIN standard sheet 'DIN 1 taper pins', templates for inscribing technical drawings under DIN 16 and DIN 17 were standardized. The basis for these standards was the recommendation of the Prussian Railway Administration according to sample drawing IV 44, which also found its way into the DIN standards. These fonts also have the same ratio of line width to the height of the capital letters, but with regard to the writing instrument with round dash ends. The writing has, with some small revisions until the late 1960s, preserved virtually unchanged and was continued in the West under the DIN designation. In the GDR, the standard sheet was also adopted unchanged into the technical quality and delivery conditions (TGL for short). In the early 1970s, technical drawings became primarily microfilmed. These showed that the bold font with a line width of 1/7 of the cap height tends to run in and thus become illegible. Also, other ink pens were required for writing than for drawing. As a transitional step, the stroke width was reduced to 1/10 of the cap height, and the number of font sizes was reduced. Shortly afterwards, the typeface was replaced by the better microfilm-compatible DIN EN ISO 3098. This was standardized in the GDR in the TGL 31034.


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Toren Mono

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Name Weights Formats Designers
Toren Mono Desktop: OTF Eli Heuer
  Proportional Web: WOFF  

Toren is a typeface by Eli Heuer.


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Tratex

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Name Weights Formats Designers
Tratex Black Desktop: TTF Kåge Gustafsson
  White Web: WOFF  

Tratex is a geometric sans-serif family for road signs in Sweden. It was developed for maximal readability in traffic, and designed by Kåge Gustafsson.


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Txt

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Name Weights Formats Designers
Txt Regular Desktop: TTF Autodesk
    Web: WOFF  

Txt is a typeface by Autodesk.


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Venus

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Name Weights Formats Designers
Venus Light Desktop: OTF Bauersche Gießerei
  Light Italic Web: WOFF  
  Medium    
  Medium Italic    
  Bold    
  Light Condensed    

Like other grotesque typefaces of the late nineteenth and early twentieth century, namely Akzidenz-Grotesk, Venus has a minimal, neutral design, with a monoline structure. Compared to many later sans-serifs, such as Helvetica and Univers, it has a more irregular design, with stroke terminals at various angles rather than exacting horizontal or vertical.


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4_2q3q3w2r

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Name Weights Formats Designers
4_2q3q3w2r Regular Desktop: TTF Harry King-Riches
  Italic Web: WOFF  

4_2q3q3w2r is a typeface, created from a small set of rules via code, by Harry King-Riches.


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